Loading...

Courses Recently Developed

Manet
Mosaic Portrait of Kara Walker

Chuck Close

86th Street Subway, 2017

Photo: Courtesy of Metropolitan Transit Authority

PORTRAITURE NOW: FROM THE STUDIO TO THE SELFIE

Undergraduate Capstone Seminar
The seemingly complete control we have over our representations, and their circulation, as it is in tension with new methods of surveillance. While not every selfie is an art object, a “successful” one seems to depend upon assumptions about identity and resemblance that have their roots in traditional forms of portraiture.





Manet
Fred Wilson | A Critical Reader

eds. by Doro Globus

RETHINKING
THE CANON

Graduate Seminar
A critique of the existing canons of both European and American modern art, with special attention to recent exhibitions and museum installations that present their own challenging variations. Students are asked to construct an “alternate” canon, if this seems warranted--or argue against the very existence of such a conception, and present suggestions for a different format that would profitably organize the material. We consider historical issues in light of contemporary art, criticism and exhibition practices.
Manet
NLM Visible Human Project

Section through the head of a human male

THE ART OF MEDICAL PHOTOGRAPHY

Honors Seminar
The visual technology and culture of medicine: for instance, the authority of the MRI, the gender implications of the Visible Human Project, the ethics of live surgery on Snapchat, and the ‘networked patient.’ We also study historical artifacts such as the photography produced by and about the concentration camp victims of World War II; images of the aftermath of the Hiroshima bomb; and the anti-TB films of the 1930s.



Manet
Revolt in Cairo, 1810

Anne - Louis Girodet - Trioson

OCCIDENTALISM / ORIENTALISM

Graduate Seminar
A reformulation and critique of Edward Said’s Orientalism, focusing on the nuanced and reciprocal interaction between “the East” and “the West”. Case studies include Gros’s Revolt at Cairo, films such as The Sheik and Disney’s Aladdin; Shirin Neshat’s Rapture; the recent productions of Takashi Murakami and Sophia Coppola’s Lost in Translation; the Beijing Olympics, with its Bird’s Nest Stadium by Ai Wei Wei, and the “ghost houses” of Korean artist Do Ho Suh.


Manet
THE AGNEW CLINIC
Thomas Eakins, 1889 - Mark Skrobola, NJ 2006
KEITH HARING MURAL IN MADRID
Image by Patian

ART AND MEDICINE

Undergraduate Lecture
How fine artists, scientific illustrators, and popular image-makers have envisioned medicine’s culture—especially its ways of knowing the body, and the implications of such knowledge for constructions of race, class, gender, and sexuality; the metaphorical uses of disease and deviance in the visual arts. Designed to introduce students in the humanities, fine arts and social sciences to the culture of science, while also offering life science and pre-med students an opportunity to think critically about the visual history of their own practices, and how they intersect, often in unexpected ways, with the history of art.





Mural
Thomas Rice as Jim Crow

RACE AND REPRESENTATION

Graduate and Undergraduate Seminar
The visual culture of the African diaspora in the US, France and Belgium, with forays into the art of the Caribbean. Readings are drawn not only from art history, anthropology and sociology, but from gender, cultural and new media studies, and postcolonial theory. We also consider the visual culture of racial violence, as transmitted through social media.

Andy Warhol
Andy Warhol at the White House

Photo Credit: Wikimedia Commons

POPULAR CULTURE AND MODERNITY

Undergraduate Seminar
Andy Warhol’s portraits of Marilyn Monroe and Elizabeth Taylor may seem old-fashioned; yet the Guggenheim Museum stages a huge retrospective of the works of fashion designer Giorgio Armani, and Disneyland becomes an object of analysis for scholars from a variety of fields. How do we sort these differences out? What happens when popular culture starts to change the way in which art is perceived, and even defined?

Dissertations Currently Advising

\
Women Selling Water and Oranges on the Road to Heliopolis

Felix-Auguste Clement

EGYPTIAN-FRENCH ENCOUNTERS: ART AND NATIONAL IDENTITY

Alia Nour ElSayed

Vanity_Fair

James McNeill Whistler, 12 January 1878

ELASTIC CAPACITIES: WHISTLER AND THE ART OF TRANSFORMATION

Justin McCann

Manet
Negro del Sudan

Charles Cordier, 1856

BLACK MASCULINITY: JEAN LÉON GÉRÔME AND THE ORIENTALIST IMAGINARY

Brigid Boyle
Nudes
Nudes

Suzanne Valadon, 1919

DEFINING GENDER, REDEFINING THE NUDE: FEMALE ARTISTS AND THE BODY IN EARLY 20TH CENTURY PAINTING IN EARLY 20TH CENTURY PARIS

Lauren Jimerson
Manet
Wax Moulage

showing effects of Syphilis, 19th France

SURFACE TENSION: SKIN, DISEASE AND VISUALITY IN THIRD REPUBLIC FRANCE

Kathleen Pierce
Manet
American Museum of Natural History Diorama

Photo by Boris Dzhingarov

SCIENCE/FICTION: EARLY 20TH CENTURY DISPLAYS IN THE AMERICAN MUSEUM OF NATURAL HISTORY AND ITS POSTWAR RESPONSE

Kimi Matsumura


Andy Warhol
Bust of Minerva with Armour and Weapons

SEDUCTIVE SURFACES: ANNE VALLAYER-COSTER AND THE 18TH CENTURY STILL LIFE

Kelsey Brosnan




More

Check out my CV for dissertations advised previously.